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		 | Uptown 
		Country GirlCHS-1028 - (1970)
 
 Side 1: I've Been 
		Everywhere (Mack)
 He'd Still Love Me (G. Sutton-H. Lewis)
 Wave Bye Bye To The Man (LaWanda 
		Lindsey-Joe Gibson)
 He Even Woke Me Up To Say Goodbye (M. 
		Newbury-D. Gilmore)
 Morgen Wirst Du Wieder Bei Mir Sein (Heinz 
		Gietz-Kurth Hertha)
 
 Side 2:Partly Bill
		(V. Bulla-S. Allen)
 The Ways To Love A Man (Sutton-Sherrill-Wynette)
 Okie From Muskogee (Merle Haggard)
 Then Go (Liz Anderson)
 Ich Hab' Einen Boy In Germany (Helmut Flohr-Herbert 
		Falk)
 
 Produced by:
 Slim Williamson
 
 Album Design by Dan Quest Art Studio
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		|     
		There was once a beautiful young woman who lived in a hilltop house that 
		overlooked the lights of a big city. Everywhere she went people ran to 
		her and called her by name. Millions of people would gather to hear her 
		sing.This introduction sounds more like the “Cinderella” fairytale 
		than the life history of a country music songstress, but it describes to 
		a ‘Tee’ the story of Lynn Anderson.
 Four years ago the entertainment industry didn’t know Lynn 
		Anderson. Today millions have heard her sing: she’s sold hundreds of 
		thousands of albums, she’s been a regular on the ABC Network, Lawrence 
		Welk Show, and her records are heard every day on Country Music radio 
		stations all over the world. (She has even put a couple of her German 
		hits in this album).
 Lynn has done a lot of enviable things in her 23 years. She 
		left Sacramento, California at the age of 19 years with her songwriter 
		mother, Liz Anderson, and literally captured the heart of Nashville, 
		Tenn. Mama Liz wrote a song called “Ride, Ride, Ride”; Chart Records 
		president Slim Williamson recorded it with Lynn, and a new star was 
		born.
 But that was in 1966. Today Lynn is a beautiful wife (Mrs. 
		Glen Sutton) living in a beautiful home overlooking the city of 
		Nashville. She divides her hours among her four interests: her husband, 
		her home, her singing, and her quarter horse.
 Lynn’s singing has always remained a “funtime” thing. Unlike 
		many country artists she has never been forced to work the beer joints, 
		and road houses to keep food on the table. Lynn only entertains because 
		she wants to, maybe that’s the reason she has remained so fresh and 
		vivacious an entertainer . . . . and maybe it’s also the reason she’s 
		come so far so fast
 
 Chuck Neese
 Southeastern Editor
 
 Record World Magazine
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